But does this incipiently authoritarian source material necessarily invalidate Matt Bellamy's claim to be making a bold stand against "the corporate-ocracy"?
It should do really. But the same stubborn spark of unreason which insists on the right of a major label album release to retain such a deluded view of its own revolutionary potential has been the agent of many a historic conflagration.
it's kinda what I've been trying to explain to people dismissing Muse's music as "grotesque" or whatever...
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